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<title>The Thinklings</title>
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<title>LOST Liveblog: "Recon"</title>
<description>I'm on liveblog duty tonight. There'll be a slight delay as I watch my recorded version, but who are [...]</description>
<pubDate>Wed, 17 Mar 2010 00:27:08 +0000</pubDate>
<dc:creator>Jared</dc:creator>
<link>http://thinklings.org/posts/lost-liveblog-recon</link>
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<category><![CDATA[TV]]></category>

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<![CDATA[I'm on liveblog duty tonight. There'll be a slight delay as I watch my recorded version, but who are we kidding? You're not reading the post live as you watch anyway.<br /><br />Stay tuned for the brilliance that is LOST and the obliviousness that is my recap . . .<br /><!--more--><br /><br />Sawyer curses.<br /><br />Jin wants to stay to find Sun. Sawyer says he won't leave if he knows Sun is on the island; he promises. Aw, what a sweetheart.<br /><br />Sayid and Claire (aka Tweedledum and Tweedleplumcrazy) show up with the train of temple refugees.<br /><br />Flash...? sideways?<br />Sawyer is knocking the boots.<br />He's late for something. He curses again.<br /><br />Is that Tiffany Amber Thiessen?<br /><br />She wants to know what all the money is.<br />Then she pulls out a gat. This is a Snoop Dogg video all a sudden.<br /><br />"You're a lousy con man."<br />"LeFleur."<br />"Le-what?"<br /><br />Cops bust in. One of them is Halley Joel Osment.<br />Sawyer is apparently a cop. Wow.<br /><br />(commercial)<br /><br />Back at beach.<br />Claire is fawning over baby clothes. Or something that looks like a plush Tusken Raider.<br /><br />Fauxlocke is rallying the troops. "It was a long and traumatic night for all of us."<br />(Fauxlocke's manboobs get more prominent each week. Anybody else notice that? Somebody needs a bro.)<br /><br />Kate to Sawyer: "So you're with Locke now."<br />Sawyer: "I'm not with anybody."<br /><br />Flash . . . foragonal?<br /><br />Sawyer the Cop is on phone calling perps or something. There is some continuity with the island timeline as neither Island Sawyer nor Officer Sawyer can manage to button the top couple of buttons on their shirts.<br /><br />I am not understanding how all the characters interact in different scenarios in the flash-bazonkawayses. Shouldn't they have individual lives un-intersected with previous castaways?<br /><br />Back to the island:<br /><br />FauxLocke is a very amiable tour guide.<br /><br />He's also chagrined at Sawyer. But he tells him, "I'm the smoke thing."<br /><br />Okay, we knew that already. We need real answers to real questions. What are the numbers? Is Jacob good? Are Nicki and Paulo really dead?<br /><br />FauxLocke wants Sawyer to do recon on Hyrda Island. (Best "GI Joe" episode ever.)<br /><br />(commercial)<br /><br />Officer Sawyer is at a bar or restaurant or something. He spots a rib cage with red hair at the table.<br />It's CS Lewis!<br /><br />She's an archaeologist, or so she says. "I'm exactly like Indiana Jones."<br />Sawyer: "You got a whip?"<br />Lewis: "Maybe."<br />Brown chicken brown cow.<br /><br />Now they're having a heart to heart.<br /><br />Sawyer: "I guess I got to a point in my life where I was gonna be a criminal or a cop. And I chose cop."<br /><br />It's getting hawt.<br /><br />Afterglow. Sawyer strokes Lewis's backbones.<br /><br />Watership Down makes a cameo.<br /><br />Lewis forages through his dresser. Pulls out notebooks. Kinda snoopy there, ain't ya, Clive?<br /><br />Sawyer is hacked. Kicks her out. Always winter, never Christmas.<br /><br />Back to the island:<br />Sawyer reaches Hydra Island, I guess? He sees the cage he and Kate did the shimmy shake in.<br /><br />Back to main island:<br />Claire takes a knife to Kate. Sayid blithely watches.<br />FauxLocke intervenes. Smacks Claire.<br />Maybe FauxLocke <i>is</i> good.<br /><br />There's some freaky juju going down among the Losties.<br /><br />(I miss Jack.)<br /><br />Back to Hydra:<br />Sawyer discovers the downed Flight Ajira aircraft.<br />There's an abandoned campfire. He feels the wood.<br />Plane looks like it's in pretty good shape for a crash landing.<br /><br />He discovers dead bodies. Hears someone running around behind him. Pulls his 9. Yells for them to stop.<br />Who is it? Dr. Melfi from Sopranos?<br /><br />"Who are you?"<br />"I'm the only one left."<br /><br />(commercials, including a pathetic Windows 7 spot. why do these people keep trying to take credit for Windows 7? just so everyone knows, it wasn't my idea. but thanks to these ads, you know who to blame when the blue screen of death pops up.)<br /><br />Police station.<br />Some dude asks Sawyer for help finding his brother.<br />"Not my department."<br /><br />Halley Joel Osment slams Sawyer against the lockers. A wedgie comes next.<br /><br />There is anger. Sawyer is called out for traveling to Australia on Oceanic 815.<br /><br />Miles: "What were you doing in Oz?"<br />Sawyer: "That's none of your durn business."<br /><br />Sawyer looks in the mirror. SYMBOLISM ALERT. Then he breaks it.<br /><br />Back to Hydra:<br />Dr. Melfi's real name is Zoe.<br /><br />Wait, wait -- I redub Dr. Melfi "Homeless Tina Fey."<br /><br />She's telling some story about a plane crash and waiting for rescue. She was collecting wood when she heard screaming. When she came back, they were all dead. She dragged their bodies to that one spot.<br /><br />Sawyer: "I can take you back to the island to others."<br />Homeless Tina Fey: "Thank God."<br />Sawyer: "Trust me. God's got nothing to do with it."<br /><br />Back to main island:<br />FauxLocke apologizes to Kate about the story he told Claire about the Others taking her baybay. (Maybe the dingoes ate her baybaby.)<br /><br />FauxLocke: "I promised I'd keep everyone safe. And that includes you too, Kate."<br /><br />Okay, see, now I think he's bad. He's seeming too good to not be bad.<br /><br />Hydra Island:<br />Sawyer's asking HTF if she thinks the plane would fly. (Because there's plenty of room to take off on the beach, of course.)<br /><br />"You're good sweetheart, but you're not that good." Sawyer knows HTF is a conwoman.<br /><br />Suddenly there's a militia. Got Sawyer on his knees. (I'm sensing some common themes in this episode.)<br /><br />Sawyer: "Take me to your leader."<br /><br />(commercial)<br /><br />Main island.<br />FauxLocke and Kate are twinkies!<br /><br />Note: I'm going to stop calling him FauxLocke b/c there is no "real" Locke any more. Right? I've understood that much, I think.)<br /><br />Smokey the Bore is telling Kate some story about his crazy mom. He's telling her this story b/c Aaron's mom -- that would be Claire, for those of you playing at home -- is crazy too.<br /><br />Hydra:<br />Sawyer is led by the militia to the submarine dock. (This reminds me much of a Gilligan's Island episode.)<br /><br />"Get in," Homeless Tina Fey says. "He's waiting for you."<br />Sawyer climbs into the sub.<br /><br />Flash-cattycorner:<br />Officer Sawyer is making a Hot Pocket or something. He's watching "Little House on the Prairie," starring future SAG president Melissa Gilbert and ex Mormom football player Merlin Olsen. Also, Michael Landon.<br /><br />He shows up at CS Lewis's house with a sunflower. She's not buying his Casanova act.<br /><br />Back to Hydra:<br />HTF leads Sawyer down the sub hallway and to . . . Charles Widmore.<br /><br />Widmore looks very Locke-ish. Am I just noticing this? (The answer is yes.)<br /><br />Fun fact: The guy who plays Widmore also played the grumpy grandfather on "The O.C." (Californiaaaaaaa.)<br /><br />"Here's the deal, chief," Sawyer says. "I'll go back and tell them the coast is clear. Then I'll bring the old man to your doorstep. Then you can kill him."<br /><br />Widmore: "Waht do you want in exchange?"<br /><br />Sawyer: "The people who came from my group don't get hurt. And we get off the island."<br /><br />Bargaining with the devil, it seems like. But Widmore agrees. They even shake on it.<br /><br />Locke is going down.<br /><br />(commercial. Including one for "Flash Forward" which should've been called "Pathetic Attempt to Cash in On 'Lost'".)<br /><br />Island.<br />Kate and Claire meet again. (Is it terrible that I'd be cool with crazy Claire the future cat lady offing Kate?)<br /><br />Instead she hugs Kate. (Stab her in the back!)<br />Kate says, "It's okay." (It's a real "Good Will Hunting" moment. It wasn't your fault!)<br /><br />Sawyer returns. Locke is interrogating him. Sawyer spills beans about Widmore.<br />I am really lost now. Is he a double conner? Is this like "The Sting"? (Or "The Sting 2"?)<br /><br />He tells Locke what he told Widmore. Locke appreciates his loyalty.<br /><br />Looks like Saywer has cast his lot in with Locke.<br />"You said you'd get me off this island. A deal's a deal."<br /><br />Flash-cattywampus:<br />Sawyer and Halley Joel in a car.<br /><br />Sawyer spills the beans about his dad and past in general.<br /><br />A car hits them. They give chase. It's getting all "Starsky and Hutch" up in this mug.<br /><br />Tackle. Big reveal.<br />It's Kate!<br /><br />Sawyer curses.<br /><br />Back to island:<br />Sawyer tells Kate about Widmore by the campfire. He reveals a schemey scheme. Then they sing "Kum Ba Yah." (Just kidding.)<br /><br />No, he says he's gonna play Widmore and Locke against each other, and while they're duking it out, the Losties can jet.<br /><br />He says they're gonna take the sub.<br /><br />Cue ominous music.<br /><br />LOST!<br /><br />Preview of next week says they'll tell us Richard's story.<br />]]>
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<title>A "Head's Up" For Mega-Church Pastors From A Small Church Pastor</title>
<description>Dear Pastor,I'm not jealous of you or your church. Yes, I am one of the many little churches in your [...]</description>
<pubDate>Tue, 16 Mar 2010 22:00:00 +0000</pubDate>
<dc:creator>Philip</dc:creator>
<link>http://thinklings.org/posts/a-heads-up-for-megachurch-pastors-from-a-small-church-pastor</link>
<guid isPermaLink="true">http://thinklings.org/posts/a-heads-up-for-megachurch-pastors-from-a-small-church-pastor</guid>
<category><![CDATA[Church]]></category>
<category><![CDATA[Depressing]]></category>

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<![CDATA[Dear Pastor,<br /><br />I'm not jealous of you or your church. Yes, I am one of the many little churches in your shadow, but that doesn't bother me.  There are many good reasons that your church has grown to the size that it is. I'm glad that you are reaching people.  I'm glad that so many people are worshiping there and that people are coming to know Jesus because of your ministry.  There are many things you do right and that you do well, and I know there's a lot I could learn from you.<br /><br />But there's one thing you may not know. You may not even be aware.  Your people are coming to me for pastoral care.  No, they are not leaving your church.  They still attend your church; they are still members at your church; they still give their time, talents, money and loyalty to your church. (Some have even left my church for yours previously because of your superior ministries and programs.)<br /><br />But they come to me when they need a pastor.  When they need a wedding, they call me, or more often they just drop by and ask in person.<br /><br />When they need a funeral, they call me.  <br /><br />When they need a special service like a baby dedication, or a baptism, or even a <a href="http://www.quinceanera-boutique.com/quinceaneratradition.htm">quincea&#195;&#177;era</a>, they call me.<br /><br />When their marriage is in crisis, when their children rebel, when they are depressed or just don't know where else to turn, they come see me.<br /><br />There are two major reasons for this. (I know because I ask, "Why not go to your own pastor and your own church?")  <br /><br /><strong>1- Because I am available.</strong>  They can just drop in and see me. And if I happen to not be available that particular day, they'll be able to see me within a day or two.  I know that you may be available too, but at the very least, you are perceived as being unavailable.  In most cases, they assume you are too busy and come see me first.  Other times, they don't know you, so seeing me is no different than seeing you, since neither one of us knows them personally.  Again, the difference, is that I'm available.  I also know that you have many pastors on staff that could be available to them.  But for whatever reason, your people don't go to them. (I think because the average layperson doesn't see them as "real pastors", though you and I know this is a misconception.) They come to me.<br /><strong><br />2- Your sanctuary is too big or too modern.</strong> They love your church. They attend your church every week and love the services and they love your preaching and they love the music and they love all the programs your church has to offer. But when they need a place for a funeral or a wedding, or a quincea&#195;&#177;era, the 100 or less people they are going to have attend would be dwarfed in your sanctuary.  They need a small church atmosphere for their service. And yes, rightly or wrongly, they want it to feel like a "church" for those services that are important milestones in their lives.<br /><br />Pastor, will you please let me offer some suggestions:<br /><br /><strong>1- Be available.</strong>  I know you are busy.  I also know that if you spent all your time doing counseling, weddings and funerals, you wouldn't be able to do all that God has called you to do.  Therefore, you need to publish the times you are available.  Let people know when they can see you. Say it from the pulpit. Make them feel like you care about them as individuals and then follow through, as much as you are able. (And if you aren't available for such things at all, it's not because your church is too big, it's because you're too big for your church. Grandpa would have said, "You're too big for your britches.")<br /><strong><br />2- Have a good pastoral staff.</strong>  Make sure there is a pastor, an actual ordained minister, assigned to every member of the church. (One per every 100 members ought to do it.)  That pastor should know who his people are, and they should know who he is.  He should contact them regularly, so that when the crisis time comes and they need him, there is already a relationship.  This pastor should be available for weddings, funerals, hospital visits and pastoral counseling.  In short, he should actually do for them what an actual pastor does.<br /><strong><br />3- Build a chapel.</strong>  You have a large building. Probably you have multiple buildings on a campus.  On your next building project, include a small chapel that seats 150-200 people. Make it look like a chapel. Let people book it like crazy. Make its use available to your people.<br /><br />Now, here's where I have to make sure I'm not being too fleshly in my letter to you:  I'm tired of pastoring your people for you.  Don't get me wrong. I love your people. I love pastoring them.  And the pastor in me loves the opportunity. But you are not doing your job and I think its hurting your people. They need to be able to count on you and your church, or what are you doing? If you really have a pastor's heart, and I believe you do, I thought that you would want to know that a lot of your sheep are having to go elsewhere to have their needs met. One of my mentors in ministry, a very wise pastor who did nothing but pastor small, hurting churches that needed him for 40 years, said this, "If you are not there when they need you, they don't need you."<br /><br />I want you to know that I try the best that I can.  I try to redirect them back to you.  Sometimes I'll even downright refuse to help them, because I'm not their pastor.  But most of the time, I do that wedding or that funeral. Most of the time I do the crisis counseling when someone's spouse cheats, or when someone is in the hospital.  I do it because even if they aren't my sheep, they are Jesus' sheep and they asked.  I do it because I hope that you would do the same for my sheep if I were somehow unable.<br /><br />But it's a widespread problem.  I have someone come to me for help from your church at least once a month, and I have someone come to me from one of the other megachurches other than yours once a week. I know you are busy, but so am I.  You would help me be more effective as a pastor to the sheep God has called me to, if you would be more effective as a pastor to the sheep God has called you to. <br /><br />I'd send you this note personally via snailmail or email, but I'm pretty sure it would never make it past one of your staff members to your desk.  I'll try anyway...<br /><br />Here's my final request, from one pastor to another. Please pastor the people God has given you.  And if you can't or won't, please send some of your sheep to my church. I'd love to have them. ]]>
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<title>Tell You What I Like About Them Liberals</title>
<description>The general buzz is that passing this healthcare overhaul will be politically disastrous. It is the worst [...]</description>
<pubDate>Mon, 15 Mar 2010 17:34:57 +0000</pubDate>
<dc:creator>Jared</dc:creator>
<link>http://thinklings.org/posts/tell-you-what-i-like-about-them-liberals</link>
<guid isPermaLink="true">http://thinklings.org/posts/tell-you-what-i-like-about-them-liberals</guid>
<category><![CDATA[Politics]]></category>

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<![CDATA[The general buzz is that passing this healthcare overhaul will be politically disastrous. It is the worst career moves they could make.<br /><br />But they're still plowing ahead, either oblivious or bullheaded.<br /><br />And while I think it's bad policy, and while I don't share their politics in general anyway, I kinda have to admire them for sticking to what they think is the right thing to do, consequences be danged.<br /><br />I wish more politicians, including the ones actually doing the right thing, had that kind of stubbornness of conscience.<br />]]>
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<title>An Inconvenient Truth</title>
<description>The foundations of the man-made global warming "consensus" have cracked even more this week:More bad [...]</description>
<pubDate>Fri, 12 Mar 2010 18:42:39 +0000</pubDate>
<dc:creator>Bird</dc:creator>
<link>http://thinklings.org/posts/an-inconvenient-truth</link>
<guid isPermaLink="true">http://thinklings.org/posts/an-inconvenient-truth</guid>
<category><![CDATA[Current Events]]></category>

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<![CDATA[The foundations of the man-made global warming "consensus" have <a href="http://www.theregister.co.uk/2010/03/12/ipcc_rainforest_rubbish_coup_de_grace/">cracked even more this week</a>:<br /><br /><blockquote>More bad news today for the International Panel on Climate Change (IPCC), as another of its extravagant ecopocalypse predictions, sourced from green campaigners, has been confirmed as bunk by scientists.</blockquote><br /><br />And that news comes on the heels of a <a href="http://www.straitstimes.com/BreakingNews/World/Story/STIStory_501136.html">report</a> earlier in the week that nearly half of Americans now doubt man-made global warming. <br /><br />What we appear to have is an inconvenient truth for man-made global warming believers. Yikes! It might not be real! Yikes! We can't force people to give up long-held liberties via the threat of "the day after tomorrow." Yikes! We can't silence the <a href="http://www.greendaily.com/2008/07/18/bovine-flatulence-contributes-to-global-warming-aka-cow-farts/">cow farting</a>! ]]>
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<title>Jesus Is Awesomer Than I Realized...</title>
<description>Listen to the original Jack:Only those who try to resist temptation know how strong it is.  After all, [...]</description>
<pubDate>Thu, 11 Mar 2010 16:15:00 +0000</pubDate>
<dc:creator>Philip</dc:creator>
<link>http://thinklings.org/posts/jesus-is-awesomer-than-i-realized</link>
<guid isPermaLink="true">http://thinklings.org/posts/jesus-is-awesomer-than-i-realized</guid>

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<![CDATA[Listen to the original Jack:<br /><br /><blockquote>Only those who try to resist temptation know how strong it is.  After all, you find out the strength of the German army by fighting against it, not by giving in. You find out the strength of a wind by trying to talk against it, not by lying down.  A man who gives in to temptation after five minutes simply does not know what it would have been like an hour later.  That is why bad people, in one sense, know very little about badness. They have lived a sheltered life by always giving in.  We never find out the strength of the evil impulse inside us until we try to fight it: and <strong>Christ , because He was the only man who never yielded to temptation, is also the only man who knows to the full what temptation means - the only complete realist</strong>. <br />-C.S. Lewis </blockquote><br />WOW! What power, what strength, what sheer goodness to resist temptation for a lifetime, that like a snowball down a hill would have only increased in size and intensity. I'll never read the following verse the same way again:<br /><blockquote>For we do not have a high priest who is unable to sympathize with our weaknesses, but we have one who has been tempted in every way, just as we are&#226;&#128;&#148;yet was without sin. (Hebrews 4:15)</blockquote> When I think of it that way, Jesus isn't just good.  He isn't just better than us. He's waaay gooder than I ever realized.  ]]>
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<title>Hollywood Chews Em Up...</title>
<description>Tragic ends to young "stars". Funny we call them that, perhaps we should call them all "falling stars" [...]</description>
<pubDate>Thu, 11 Mar 2010 00:00:00 +0000</pubDate>
<dc:creator>Philip</dc:creator>
<link>http://thinklings.org/posts/hollywood-chews-em-up</link>
<guid isPermaLink="true">http://thinklings.org/posts/hollywood-chews-em-up</guid>
<category><![CDATA[Current Events]]></category>
<category><![CDATA[Depressing]]></category>
<category><![CDATA[Tribute]]></category>

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<![CDATA[Tragic ends to young "stars". Funny we call them that, perhaps we should call them all "falling stars" - shining bright for a moment, before burning up and burning out.<br /><br /><a href="http://www.popeater.com/2010/03/10/corey-haim-dies-38/">Corey Haim died today</a>.<br /><blockquote>Corey Haim, the former teen idol who rose to fame in 1980s classics 'The Lost Boys,' 'Lucas' and 'License to Drive,' died Wednesday morning of an apparent accidental drug overdose in Burbank, Calif., the LAPD has confirmed to several media outlets. He was 38. Local news station KTLA is reporting that Haim was found in an Oakwood apartment believed to belong to his mother, who was at home at the time and called emergency responders. TMZ is reporting that four prescription drug bottles were found nearby, and that he had been gripped by flu-like symptoms in recent days.<br /><br />Coroner Lt. Cheryl MacWillie told reporters that Haim died at 2:15 a.m. at Providence St. Joseph Medical Center in Burbank. An autopsy to determine the cause of death is pending.</blockquote> So sad.  I always liked Corey.  (His performance in "Lucas" was genius.  In my opinion, his career path should have gone the way of DiCaprio's or even Jason Patric or Kiefer Sutherland.) But all that doesn't matter now in the face of eternity.<br /><br /><a href="http://news-briefs.ew.com/2010/02/25/andrew-koenig-body/">Andrew Koenig died last month</a>.  <a href="http://news-briefs.ew.com/2010/02/26/kirk-cameron-reacts-to-andrew-koenigs-death/">Here's Kirk Cameron's response.<br /></a> <br /> <blockquote>"At a time like this, we are all reminded of the briefness of life and the importance of being ready for our eternal destination," Cameron said in a statement. "My prayers will continue to be with Andrew's family."<br /><br />The 41-year-old Koenig &#226;&#128;&#148; most famous for playing the role of "Boner," Cameron's best friend on the '80s sitcom &#226;&#128;&#148; had been missing since mid-February. After an extensive search, the actor's body was discovered Feb. 24 in Vancouver's Stanley Park. His father, Walter Koenig (who played the original Chekov in multiple Star Trek projects) said his son, who had a history of depression, committed suicide.</blockquote>  How many of these current and past "stars" are depressed, lost and hopeless, looking for solace in every empty thing the world has to offer?<br /><br /><blockquote>What was will be again,<br />      what happened will happen again.<br />   There's nothing new on this earth.<br />      Year after year it's the same old thing.<br />   Does someone call out, "Hey, this is new"?<br />      Don't get excited&#226;&#128;&#148;it's the same old story.<br />   Nobody remembers what happened yesterday.<br />      And the things that will happen tomorrow?<br />   Nobody'll remember them either.<br />      Don't count on being remembered. <br /><br />Ecclesiastes 1:9-11 (The Message)</blockquote><br />]]>
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<title>What Do You Think About This Parable?</title>
<description>What do you think "the point" of this parable is?  Biblical Scholars have various opinions.Matthew 20 [...]</description>
<pubDate>Wed, 10 Mar 2010 18:00:00 +0000</pubDate>
<dc:creator>Philip</dc:creator>
<link>http://thinklings.org/posts/what-do-you-think-about-this-parable</link>
<guid isPermaLink="true">http://thinklings.org/posts/what-do-you-think-about-this-parable</guid>
<category><![CDATA[Bible]]></category>
<category><![CDATA[Contemplation]]></category>

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<![CDATA[What do you think "<i>the point</i>" of this parable is?  Biblical Scholars have various opinions.<br /><blockquote><strong>Matthew 20 - The Parable of the Workers in the Vineyard</strong><br /> 1"For the kingdom of heaven is like a landowner who went out early in the morning to hire men to work in his vineyard. 2He agreed to pay them a denarius for the day and sent them into his vineyard. 3"About the third hour he went out and saw others standing in the marketplace doing nothing. 4He told them, 'You also go and work in my vineyard, and I will pay you whatever is right.' 5So they went. "He went out again about the sixth hour and the ninth hour and did the same thing. 6About the eleventh hour he went out and found still others standing around. He asked them, 'Why have you been standing here all day long doing nothing?'<br /><br /> 7" 'Because no one has hired us,' they answered. "He said to them, 'You also go and work in my vineyard.'<br /><br /> 8"When evening came, the owner of the vineyard said to his foreman, 'Call the workers and pay them their wages, beginning with the last ones hired and going on to the first.' 9"The workers who were hired about the eleventh hour came and each received a denarius. 10So when those came who were hired first, they expected to receive more. But each one of them also received a denarius. 11When they received it, they began to grumble against the landowner. 12'These men who were hired last worked only one hour,' they said, 'and you have made them equal to us who have borne the burden of the work and the heat of the day.'<br /><br /> 13"But he answered one of them, 'Friend, I am not being unfair to you. Didn't you agree to work for a denarius? 14Take your pay and go. I want to give the man who was hired last the same as I gave you. 15Don't I have the right to do what I want with my own money? Or are you envious because I am generous?'<br /><br /> 16"So the last will be first, and the first will be last."</blockquote> Here are my opinions:<br /><br /><strong>1. The Parable Is About Grace.</strong> If anything, it's showing that grace isn't "fair".  What we get is undeserved. Grace is the value of the Kingdom.<br /><br /><strong>2. The reaction of those hired first mirrors that of the Elder Brother in the parable of the Prodigal Son.</strong>  And I think that's an interpretive key.  The Elder Brother is jealous of all the grace that gets poured out on his little brother.  Do we get jealous of those who "receive more grace" than we do?<br /><br />3. Question: Is it Biblically and theologically correct to say that some people receive (or require) <i>more grace</i> than others? If so, who would those people be?<br /><br />What do you think?<br />]]>
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<title>Lost: Dr Linus</title>
<description>Your faithful live-blogger, about to watch and blog the latest episode.Major spoilers below the fold [...]</description>
<pubDate>Wed, 10 Mar 2010 02:05:39 +0000</pubDate>
<dc:creator>Bill</dc:creator>
<link>http://thinklings.org/posts/lost-dr-linus</link>
<guid isPermaLink="true">http://thinklings.org/posts/lost-dr-linus</guid>
<category><![CDATA[Lost]]></category>
<category><![CDATA[TV]]></category>

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<![CDATA[Your faithful live-blogger, about to watch and blog the latest episode.<br /><br />Major spoilers below the fold . . .<br /><br />****** <br /><!--more--><br />This appears to be a Ben episode, unless this is some kind of misdirection.<br /><br />In the previouslies, we see a lot of stuff that's already happened. Hurley is featured briefly, and it would be awesome to see the big guy again.<br /><br />Now to the show: Ben runs through the jungle at night in a panic, and falls. On a side note, that particular thing (Lost character running through the jungle does a face plant) seems to happen a lot. <br /><br />Ben then sees a bunch of torches. Who supplies everyone with all these torches? Seriously, have you ever tried to make a long-burning torch? It appears to be a skill everyone on this island has because they can produce ten or a dozen of them, already lit, in no time.<br /><br />The torch-bearers are Ilana, Lepidus, Sun, Miles, and she wants to know where Sayid is. Ben tells her about Sayid's murders of Dagon and Lennon, and he convinces them to head to the beach. One reason he gives is that they'll have the water at their back . . . which, militarily speaking, means they'll be trapped. Trying to figure out why this is better.<br /><br />Cut to Alternate-reality LA, where Ben Linus, teacher of European history, teaches on Napolean, a man who once was the ruler but then, at Elba <i>Island</i>, was stripped of his power and "without power he might as well be dead."<br /><br />Ben is told by Principal Reynolds, who, by the way, treats him like carp, that he has detention duty. Benjamin protests, but it's due to budget cuts, and there's not much that can be done. "Thanks for understanding, Linus."<br /><br />As Reynolds walks off, Ben murmers, "it's <i>Dr.</i> Linus, actually."<br /><br />In the teacher's lounge, Ben has lunch with a finicky Artz (Yea!) who is upset about having ruined his shirt with formaldehyde. Since he's dead in the island reality, this is kind of ironically funny.<br /><br />Ben is frustrated about the budget cuts and the fact that Reynold's has dismissively canceled the history club, but he refuses to give up on the kids. Locke, the substitute, tells Ben that he (Ben) should be the leader, the Principal.<br /><br />"Who's going to listen to me?"<br /><br />Locke raises his hand, volunteering.<br /><br />Back in the jungle, Miles asks Ben about the smoke monster. Ilana isn't buying that Smokey killed Jacob, even though Ben insists that he did. She hands the bag of ashes to Miles.<br /><br />Miles does his thing, and the ashes don't lie. "Linus killed him"<br /><br />Ben acts all innocent, but Ilana says "Jacob was the closest thing I had to a father."<br /><br />And then she just walks off. Wouldn't now be the time to kill Ben?<br /><br />"Uh oh," says Miles.<br /><br />****** Commercial ******<br />Daylight. Ben is still not dead and still tagging along with Ilana, and they are now at the old Lostie beach. It's a mess but most of the structures are still standing.<br /><br />Ilana is going to look for tools and get to work on shelter. She asks everyone else to look for food and get a fire going.<br /><br />"You know, psychics are totally unreliable. Miles actually tried to blackmail me once," Ben nervously asserts. Ilana's not buying it.<br /><br />Back in LA, Ben looks at his reflection in a microwave window. There's been a lot of that this season. He hands a hot meal to his dad, uncle Rico! Looking old and unhealthy. Rico's on oxygen, but seems much more caring and balanced than bitter Island Rico.<br /><br />Ben complains about how he's unappreciated at work.<br /><br />His dad apologizes for having taken Ben to the island as a kid, for signing up for that darn Dharma initiative. Who knows what Ben would have become, "if we'd stayed". I can't figure out if he means stayed off the island, or stayed on the island. <br /><br />The doorbell rings and it's Alex, who is a student of Ben's, rather than his daughter. They seem very close, which is creepy. And now I'm even more confused.<br /><br />She complains that he missed history club, and he explains about detention. But he does agree to tutor her.<br /><br />Back at the beach, Sun asks Ilana when they are going to find Jin. Ilana says she wants to find him too, because she's supposed to protect a candidate named Kwon.<br /><br />Sun asks her what all this means. She tells Sun that she (Sun) will find out what replacing Jacob means, if she's selected.<br /><br />We cut to Hurley, who is lying in the brush dreaming of cheese curds. He and Jack are heading to the temple. Jack seems to be in a rush. Hurley wants to take their time, but Jack's having none of it. He treats Hurley like carp, as always.<br /><br />As they argue about how to get there, Richard shows up.<br /><br />"Where did you come from?"<br /><br />Richard answers him fully. Ha ha ha, I crack myself up.<br /><br />Hurley wisely asks if they should trust Richard. "At least he's not stalling," Jerk jabs back. <br /><br />At Lost beach, Ben rifles through old luggage, noticing the book <i>The Chosen</i>.<br /><br />Lepidus tells Ben how he was supposed to fly flight 815, but he overslept. He notes that his life would have been different if that had happened. Ben rightly points out that he ended up on the island anyway. In the meantime, Ilana puts a rifle at Ben's neck and marches him off to the Lostaway graveyard. It looks like she's going to shoot him, but instead, she shackles his legs and forces him to dig his own grave. So she's still going to shoot him, just later.<br /><br />****** Commercial ******<br />Some conjecture - is Uncle Rico on oxygen because of radiation sickness? I'm assuming they left the island in an evacuation when Jughead went off.<br /><br />We're back. Ben is tutoring Alex on early 19th century Britain. Alex is having some trouble, and being very dramatic, but she has a point: she has to do well on this AP test because she's poor, and she wants to go to Yale.<br /><br />He offers to write a letter of recommendation, but she says she needs one from someone who went there, like "that pervert, principal Reynolds".<br /><br />Ben is very interested in this. She tries to deny that anything happened, but finally gives in. Evidently she caught Reynolds canoodling the school nurse.<br /><br />Ben promises not to say anything, and we can trust him on this, because Ben is a man of his word.<br /><br />Back to the beach, Ben is digging his grave, rather slowly (as I would also).<br /><br />Miles walks over to wax sarcastic but also to offer Ben some food.<br /><br />Ben offers Miles 3.2 million dollars if he'll let him go.<br /><br />"What are you going to do, are you going to write me a check on this banana leaf?" Ha.<br /><br />Ben says Jacob didn't care about dying. But Miles corrects him. Turns out Ben did care, but just kept believing to the end that there was some good in Ben.<br /><br />Back to Hurley, Jack and Richard.<br /><br />"You look the same as you did 30 years ago. How is that possible? Is it like a terminator thing? Are you a cyborg?" Hurley quizzes Richard.<br /><br />Richard explains fully. Hee hee - not really. He does say it was a "gift" from Jacob.<br /><br />Turns out Richard was leading them astray, and instead of the temple he has led them to the Black Rock. He tells Jack that he led them astray because everyone at the temple is dead.<br /><br />Hurley mentions speaking with Jacob.<br /><br />Richard retorts - "Whatever he said to you, don't believe him." Richard marches off. "There's something I need to do"<br /><br />Jack calls after him, "What do you need to do?"<br /><br />"Die."<br /><br />****** Commercial ******<br />Artz marks a test with a big fat F. Ben walks in and asks if Artz could *hypothetically* access someone's email account without their knowledge. He wants to see the nurse's emails.<br /><br />Artz doesn't want much to do with it, until Ben gives Artz the goods on Reynolds and the nurse.<br /><br />Artz agrees to do it provided he gets a better parking spot, aprons, and newer lab equipment. He laughs at Ben. "You had me fooled with that sweater-vest. Linus you're a real <i>killer</i>."<br /><br />Back to the beach, Ben continues to dig. <br /><br />Back at the Black Rock, Jack walks in. Evidently this is the first time Richard's ever come to the old ship, after all his years on the island. Richard's playing with the dynamite. Richard, who just said he wants to die, is playing with dynamite. Hurley wisely suggests they clear out.<br /><br />Richard says he can't kill himself. Because Jacob touched him. It's considered a gift, but it's really a curse. Which I, of course, agree with, because Jacob's evil.<br /><br />"Why do you want to die?"<br /><br />"I devoted my life, longer than you possibly could imagine, in the service of a man who told me everything was happening for a reason, a plan he was going to share with me."<br /><br />Richard has no purpose any more. His god, Jacob, has died. So he wants to die, and would like Jack to kill him.<br /><br />Hurley implores Jack not to do this, but Jack is remarkably non-chalant. "If he wants to die, there's nothing we can do to stop him."<br /><br />Jack lights the fuse, and then squats next to Richard and says "Now, let's talk."<br /><br />****** Commercial ******<br />We're back, and the fuse is burning. Hurley's freaking out, but refuses to leave without Jack, even though the fuse is burning. But, because Jack's gone totally off his nut, Hurley thinks better of it and runs off.<br /><br />Jack seems convinced that neither one of them is going to die. He believes this because he just came from the lighthouse, and now believes that he was brought to the island for a reason. Richard thinks Jack should leave, and seems pretty nervous, but the fuse goes out, right before blowing them up. Jack has a purpose! Jared is swooning right now, as Jack laughs.<br /><br />Richard "alright Jack, you seem to have all the answers. So now what?"<br /><br />"We go back to where we started."<br /><br />Meanwhile, back at the beach, here comes Smokey as Ben is nearly six feet deep! But then Smokey turns into Locke.<br /><br />"Hello Ben!"<br /><br />"What are you doing here?"<br /><br />"Visiting. What are you doing?"<br /><br />"I'm digging my own grave"<br /><br />Ben is ticked at Locke, but Locke promises he doesn't want him to die, and instead offers to Ben the rule of the island, as Ben's shackles come loose.<br /><br />Locke tells him to come to the other island, to the Hydra station. He has left a rifle inland, and tells him to run to it so he can get the drop on Ilana.<br /><br />And there Ben goes!<br /><br />Now, back to LA: Linus bursts into Principal Reynolds office and hands him the emails. The affair-emails. That describe acts that took place on school property. Ugh.<br /><br />"What do you want?"<br /><br />"Your job. You're going to resign, for health, personal reasons, your call."<br /><br />He tells Reynolds that Reynolds must then recommend him for his job.<br /><br />Reynolds parries Ben's thrust. He says he will torch Alex's recommendation to Yale. "Is my job that important to you?"<br /><br />Back to the jungle, somehow Ben has to find a rifle in this jungle. And he does, somehow, find that needle in a haystack. He gets the drop on Ilana and commands Ilana to drop her gun.<br /><br />She waits for him to shoot.  "What are you waiting for?"<br /><br />"I want to explain."<br /><br />He wants to explain that he knows what she's feeling. He watched Alex die in front of him. It was his fault. He had a chance to save her. But he chose the island. Over her. All in the name of Jacob. "I sacrificed everything for him. And he didn't even care. Yes, I stabbed him, I was so angry, confused, terrified" Terrified of losing his power. But the thing that really mattered to Ben "was already gone."<br /><br />Ben apologizes for killing Jacob. He doesn't expect her to forgive him, because he can never forgive himself. He just wants her to let him leave.<br /><br />"Where will you go?"<br /><br />"To Locke."<br /><br />"Why?"<br /><br />Tearfully, "Because he's the only one who will have me!"<br /><br />The actor who plays Ben is acting the heck out of this scene.<br /><br />"I'll have you," says Ilana, who picks up her rifle, turns around, and walks off.<br /><br />****** Commercial ******<br />Ben walks into his office in LA, except it's Reynold's office. My mistake. Ben picks up Reynold's nameplate, I think to make us think that he's going to replace it with his own, but just then Alex comes by to thank Principal Reynolds.<br /><br />"Wow, wonderful"<br /><br />"Did you have something to do with it?"<br /><br />Ben denies having anything to do with it. She's just a great student, that's all.<br /><br />Reynolds walks in, demanding to know what the HECK Ben is doing in his office, until he realizes Alex is there.<br /><br />Ben, on the other hand, has got his old slot back for history club. So Ben and Reynolds have an understanding. And Artz, who really wanted the slot near the maple tree, will get Ben's parking slot.<br /><br />Back to the beach with Ilana and Ben. He's still alive, and walking free now. Everyone just kind of looks at him.<br /><br />He remembers the rifle, and carefully sets it aside as he approaches Sun. He offers to help her with her tarp, and she accepts his help.<br /><br />Slow motion beach montage: Lepidus makes a fire, Miles looks at the diamonds he dug out of NIKKI AND PAULO'S GRAVE, and Ilana cries, as Jack, Hurley and Richard show up. Sun runs to hug Hurley, and then hug Jack. This is a scene of great joy. <br /><br />Richard needs a hug, but none is forthcoming yet.<br /><br />Jack sees Ben, who is also looking very small and hugless.<br /><br />We cut to the ocean, and there's a submarine, observing the beach.<br /><br />It's Widmore's submarine. <br /><br />Dang it.<br /><br />Previews: Velvet Underground sings a song. Or is it Lou Reed?<br /><br />Bad Wobot.<br /><br />]]>
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<title>The Overflow of His Infinite Worth</title>
<description>I have heard it said, "God didn't die for frogs. So he was responding to our value as humans." This turns [...]</description>
<pubDate>Sat, 06 Mar 2010 00:22:27 +0000</pubDate>
<dc:creator>Bill</dc:creator>
<link>http://thinklings.org/posts/the-overflow-of-his-infinite-worth</link>
<guid isPermaLink="true">http://thinklings.org/posts/the-overflow-of-his-infinite-worth</guid>
<category><![CDATA[Contemplation]]></category>
<category><![CDATA[Quotes]]></category>

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<![CDATA[<blockquote>I have heard it said, "God didn't die for frogs. So he was responding to our value as humans." This turns grace on its head. We are worse off than frogs. They have not sinned. They have not rebelled and treated God with the contempt of being inconsequential in their lives. God did not have to die for frogs. They aren't bad enough. We are. Our debt is so great, only a divine sacrifice could pay it.<br /><br />There is only one explanation for God's sacrifice for us. It is not us. It is "the riches of his grace" (Ephesians 1:7). It is all free. It is not a response to our worth. It is the overflow of his infinite worth. In fact, that is what divine love is in the end: a passion to enthrall undeserving sinners, at great cost, with what will make us supremely happy forever, namely, his infinite beauty.<br /><br />- John Piper, <i>Fifty Reasons Why Jesus Came to Die</i></blockquote><br />]]>
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<title>OK Go</title>
<description>This OK Go video is amazing. Is there any way this was really all one big take? This must have taken [...]</description>
<pubDate>Fri, 05 Mar 2010 00:54:38 +0000</pubDate>
<dc:creator>Bill</dc:creator>
<link>http://thinklings.org/posts/ok-go-1</link>
<guid isPermaLink="true">http://thinklings.org/posts/ok-go-1</guid>
<category><![CDATA[Music]]></category>

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<![CDATA[This OK Go video is amazing. Is there any way this was really all one big take? This must have taken days to set up, calibrate, time, not to mention the stuff that gets broken in the Rube Goldberg device (TV, Piano, etc). Some of the Rube Goldberg stuff even takes part in the song.<br /><br />Special effects? Or real?<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/qybUFnY7Y8w&rel=0&color1=0x3a3a3a&color2=0x999999&hl=en_US&feature=player_embedded&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed src="http://www.youtube.com/v/qybUFnY7Y8w&rel=0&color1=0x3a3a3a&color2=0x999999&hl=en_US&feature=player_embedded&fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="425" height="344"></embed></object><br /><br />[H/T <a href="http://thewilsonianinstitute.com/?post_id=85">Stroke</a>]<br />]]>
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<title>An Open Letter To Prodigals Everywhere</title>
<description>Dear Prodigal, You've probably heard the story before. A son tells his father that he doesn't want [...]</description>
<pubDate>Thu, 04 Mar 2010 12:00:00 +0000</pubDate>
<dc:creator>Philip</dc:creator>
<link>http://thinklings.org/posts/an-open-letter-to-prodigals-everywhere</link>
<guid isPermaLink="true">http://thinklings.org/posts/an-open-letter-to-prodigals-everywhere</guid>

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<![CDATA[Dear Prodigal,<br /> <br />You've probably heard the story before. A son tells his father that he doesn't want to wait for the funeral or the reading of the will. His father is worth more to him dead, so he asks for his inheritance early. Then he goes out and wastes the money on fleeting pleasures. When he runs out of money, he gets a job feeding pigs and wishes he could eat as good as the pigs were.  Then he comes to himself and realizes that it's time to go back home.  When he finally does, he is surprised to learn that his father is waiting for him, still loves him, and gets a party thrown in his honor. (Luke 15:11-24)<br /><br />My friend, the prodigal is you.  I'm writing you this letter in hopes that like the son who longed for pig slop, your self-awareness will return. Like an animal licking peanut butter off of a trap-trigger, you have been so absorbed in what you want; you haven't noticed where your pursuit has taken you.<br />The word "prodigal" actually means "wasteful."   You took whatever blessings, whatever gifts that God gave you and you wasted them.  It may have been a family that adores you, a job that provided for you, personal talents that God has given you or even money.  You used it all up on fleeting pleasures.  And now it's gone.  If you open your eyes and look around you will find that you are as pitiful as a guy who is jealous of pigs.<br /><br />It doesn't have to stay that way. God wants you to come back.  He longs to show you his forgiveness and his love. He longs to take away your guilt and your hunger for fleeting pleasures.  <br /><br />The hardest step will be the first one: looking around and admitting that you have hit rock bottom, and that it was your own choices that put you there. You will have to accept responsibility, and without blaming anyone else, decide that your pig slop days are over. It will be humbling. But it's possible. God will come running.<br /><br />Then it's time to ask God and the others you've harmed to forgive you. Yes, you hurt them. But they still love you, maybe more than they ever did before. They want you back. <br />	<br />I don't know in what way this applies to you.  Maybe you chose to feed your addiction at the expense of your family.  Maybe you sought comfort in the arms of someone not your spouse.  Maybe you were just rebelling against the world and you didn't care who got caught in the crossfire.  But whatever it is, consider this a message from the Lord:<blockquote> "Dear prodigal, please come home."<br /></blockquote>]]>
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<title>LOST: I Want Answers</title>
<description>After their stupid commercials promising that the time of questions is over, and that it is time for [...]</description>
<pubDate>Wed, 03 Mar 2010 20:38:02 +0000</pubDate>
<dc:creator>Philip</dc:creator>
<link>http://thinklings.org/posts/lost-i-want-answers</link>
<guid isPermaLink="true">http://thinklings.org/posts/lost-i-want-answers</guid>
<category><![CDATA[TV]]></category>
<category><![CDATA[Wild At Heart]]></category>

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<![CDATA[After their stupid commercials promising that the time of questions is over, and that it is time for answers I feel like Tom Cruise in <i>A Few Good Men</i>. <br />"Them" being the producers playing the Nicholson role, and "Us" being we, the viewers, playing Tom Cruise.<br /><blockquote><br />Us: Show creators, are you going to finally give us some answers?<br />ABC Network as the Judge: You don't have to answer their questions! Just keep them watching...<br />Them (to ABC): I'll answer their questions!<br />[to Us]<br />Them: You want answers?<br />Us: I think I'm entitled.<br />Them: <strong>You want answers?</strong><br />Us: <strong>I want the truth!</strong><br />Them: <strong>You can't handle the truth!</strong><br />[pauses]<br /><br />Them: Listen John Q. Public, we live in a world that lives and dies by ratings, and we have to guard those ratings by any means necessary. Whose gonna make a show as good as we can? You? You, there, on the couch, liveblogging an episode? We have a greater responsibility than you could possibly fathom. You weep for fictional characters, and you curse the writers. You have that luxury. You have the luxury of not knowing what we know. That making you wait, as tragic as it may seem, probably boosts ratings, and saves the jobs of all our lowly gaffers, make-up artists and key grips. And my existence, while grotesque and incomprehensible to you, entertains you. You don't want the truth because deep down in places you don't talk about at parties, you want me making this show, you need me making this show. We use words like art, drama and character-driven. We use these words as the backbone of a life spent defending our craft. You use them as as fodder for the water-cooler. I have neither the time nor the inclination to explain myself to people who enjoy the entertainment that we provide, and then questions the manner in which we provide it. I would rather you just said thank you, and watched the show. Otherwise, I suggest you pick up a pen, and start writing your own show. Either way, we don't give a darn what you think you are entitled to as long as you watch the show.</blockquote>  Here's some things I want answers to:<br /><br /><strong>What happened to the children?</strong> You know the ones the others kidnapped from the original crash site, and then later from the tailies.  What did they want with them? Where are they now?<br /><strong><br />What about the "special" kids?</strong> You know Walt and Aaron were both supposed to be special. How? Why?<br /><br /><strong>Why were the numbers on the hatch?</strong> And why did Hurley hear them mentioned?  I know you think you answered that question, but you really haven't put it all together yet.<br /><br /><strong>Why does the Island move?</strong> Through time, through space, whatever. And come to think about it, why was Ben allowed to come back since he claimed anyone who moves it, can't come back?<br /><strong><br />What is the origin of the Island's special properties?</strong><br /><br /><strong>Wassup with Christian Shephard?</strong> He's important. Have his appearances been real or Smokie?<br /><br /><strong>Why doesn't Richard age?</strong><br /><br />I tried not to list the obvious questions, which they seem headed towards answering, like "Who is Jacob?" and "Who is Smokie?"  I'm bringing up the questions they seem to have forgotten about. I'm afraid the show's gonna end without them answering those questions, and I'm gonna be mad.<br /><br />What about you? What answers do you feel you are entitled to?]]>
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<title>Band of Bloggers 2010</title>
<description>If you're heading to the Together 4 the Gospel 2010 Conference in Louisville, KY next month, I hope [...]</description>
<pubDate>Wed, 03 Mar 2010 12:10:14 +0000</pubDate>
<dc:creator>Jared</dc:creator>
<link>http://thinklings.org/posts/band-of-bloggers-2010</link>
<guid isPermaLink="true">http://thinklings.org/posts/band-of-bloggers-2010</guid>
<category><![CDATA[The Blogosphere]]></category>
<category><![CDATA[The Gospel]]></category>
<category><![CDATA[Church]]></category>
<category><![CDATA[Current Events]]></category>
<category><![CDATA[Crass Commercials]]></category>

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<![CDATA[<a href="http://bandofbloggers.org/"><img src="http://bandofbloggers.org/wp-content/uploads/2010/02/bob_200x100.jpg" alt="" /></a><br /><br />If you're heading to the <a href="http://www.t4g.org/">Together 4 the Gospel 2010</a> Conference in Louisville, KY next month, I hope you will make room in your schedule to join the <span style="font-style: italic;">Band of Bloggers</span> for their annual symposium and luncheon.<br /><br />The panelists this year are <span style="font-weight: bold;">Jon McIntosh, Justin Taylor, Trevin Wax, and myself</span>, speaking on the subject of <span style="font-style: italic;">Internet Idolatry &amp; Gospel Fidelity</span>. A mere $25 gets you lunch, quality speaking, Q&amp;A and discussion with the panel, and a stack of books. Quite a deal, I'd say. :-)<br /><br />Details:<br /><blockquote>"Internet Idolatry and Gospel Fidelity"<br />2010 Band of Bloggers Fellowship<br />Tuesday, April 13, 2010 :: 11:00am<br />The Galt House, Downtown Louisville, KY<br />(in conjunction with Together for the Gospel)</blockquote><br />Check out the <a href="http://bandofbloggers.org/">Band of Bloggers website</a> for more info and to register. Satisfaction guaranteed.*<br /><br /><span style="font-size:85%;">(* This guarantee of satisfaction is not guaranteed.)</span><br />]]>
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<title>&lt;i&gt;Lost&lt;/i&gt;: Sundown</title>
<description>I'll be live-blogging tonight's episode (possibly slightly delayed as I'm waiting for my best half to [...]</description>
<pubDate>Wed, 03 Mar 2010 01:38:04 +0000</pubDate>
<dc:creator>Bill</dc:creator>
<link>http://thinklings.org/posts/lost-sundown</link>
<guid isPermaLink="true">http://thinklings.org/posts/lost-sundown</guid>
<category><![CDATA[Lost]]></category>
<category><![CDATA[TV]]></category>

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<![CDATA[I'll be live-blogging tonight's episode (possibly slightly delayed as I'm waiting for my best half to arrive home).<br /><br />As promised, the time for Questions is OVAH! We'll get Answers tonight! Boodles of 'em . . . <br /><br />. . . R-i-i-i-g-h-t.<br /><br />***** MAJOR SPOILERS BELOW THE FOLD *****<br /><!--more--><br />From the title, this looks to be a Sun episode, or maybe even a Sun/Jin episode (!). We'll see.<br /><br />A pattern is emerging.<br /><br /><strong>Season 1</strong>: the first show after the pilot was a Kate show: "Tabula Rasa". <br /><strong>Season 6</strong>: the first show after the pilot was a Kate show: "What Kate Does". Her Tabula is not so Rasa anymore, as she goes on the lam in Los Alternageles<br /><br /><strong>Season 1</strong>: Next came a Locke show, the classic "Walkabout" which ends with Locke screaming about his destiny at that poor Aussie tour guide's desk, and then the reveal that he was in a wheelchair, paralyzed, but then magically healed by the island. Locke loves the island and its healing powers.<br /><strong>Season 6</strong>: "The Substitute" - Locke in our alternate universe comes to peace with the fact that the chair <i>is</i> his destiny. Oh, and the smoke monster inhabits a physical clone of DeadLocke's body and can't wait to get off that stinkin' rock of an island.<br /><br /><strong>Season 1</strong>: "White Rabbit" had Jack chasing his dead father all over our favorite Island O' Mystery.<br /><strong>Season 6</strong>: "Lighthouse" had Jack chasing his son David (David Shephard, get it?) all over Alternate LA, and <i>still</i> ending up at that darn cave.<br /><br /><strong>Season 1</strong>: "House of the Rising Sun", all about Sun and Jin.<br /><strong>Season 6</strong>: "Sundown". If they kill Sun, I'm going to . . . kill them back.<br /><br />And now to the show.<br /><br />Previously on Lost, Sayid gets shot, drowned, resurrected, infected, claimed, and tortured. Not to mention nuked. A very, very bad day.<br /><br />Wait a minute. Maybe this isn't a Sun show. I guess I'll have to retract all those carefully devised parallels up above. Drat. I was pretty proud of that.<br /><br />In the alternate time-line, Sayid gets out of a cab and goes to visit Nadia. She smiles brightly and they embrace. He's greeted by several urchins who call him "uncle Sayid", and is also greeted by his brother, who is married to Nadia. Sayid has just arrived from Sydney. He went there to translate oil contracts. His brother, Omar, owns a small (Terrorist) store. During dinner Omar answers his (Terrorist) cellphone and darkly and abruptly cancels dinner, to go have a (Terrorist) conversation. <br /><br />The niece and nephew find the photo of Nadia in Sayid's bag. Nadia totally can tell that Sayid is still smitten with her.<br /><br />Now, back to the island. Sayid barges in on Dagon in his Temple office. He wants to know what that machine was that they used to torture him. Dagon explains: "In every man there is a scale - on one side is good, on the other side is evil". Sayid is evidently off the charts (thought Dagon doesn't say which way). <br /><br />"We think it would be best if you were dead"<br /><br />"You think you know me but you don't. I'm a good man . . ."<br /><br />Dagon strikes Sayid and now everybody is Kung Fu fighting. And smashing up <i>everything</i>. As Lost fights go, this one's a doozy. These are some fine fisticuffs.<br /><br />Sayid gets clocked in the face with a huge stick but recovers and has the upper hand for a bit, but then is almost stabbed in the neck and . . <br /><br />The baseball rolls of Dagon's desk. This is, evidently, an omen of great import so Dagon decides not to kill Sayid and instead just tells him to go away, and never come back. (And off he goes!)<br /><br />Elsewhere, Locke and Claire stand at the ash boundary near the temple. Locke is urging her to cross the line. She says she will if she can get her son back. He promises her she will, which doesn't exactly destroy my theory that he's not evil but is actually good, but it does put a dent in it.<br /><br />"Are you gonna hurt them?" she asks.<br /><br />"Only the ones who won't listen."<br /><br />***** Commercial *****<br /><br />Sayid is sleeping on Nadia's couch. Omar touches him on the shoulder and almost gets his own shoulder dislocated because Sayid has the reflexes of a python. "Translating oil contracts." R-i-i-i-g-h-t.<br /><br />Omar is in trouble. He is being loan-sharked. So I was wrong about my Terrorist jab earlier. I'm batting .0000 tonight, and I feel really bad about saying that about Omar.<br /><br />Omar wants Sayid to hurt the people who are loansharking him. He "knows the kind of man" Sayid is. He knows what Sayid did in the war.<br /><br />Sayid refuses to help him. "I'm sorry. I'm not that man anymore"<br /><br />Back to the temple: Sayid grabs his pack as Miles walks up. Sayid is leaving. "I've been banished."<br /><br />"For what?"<br /><br />"Apparently I'm evil."<br /><br />Sayid thinks it's ironic that they want to kill him since they are the ones who healed him. Miles lets him know that he was dead "for two hours". Two hours? I don't remember it being that long.<br /><br />"Whatever brought you back, it wasn't them."<br /><br />Right at that moment Claire barges in, and walks up to Dagon (who is quickly becoming the most irritating side-character on this show).<br /><br />"He wants to see you."<br /><br />"Who wants to see me?"<br /><br />"You know who." (I think on the island you are instantly killed if you give a straight answer to any question)<br /><br />"Tell him to come in!"<br /><br />"No, you have to go to him."<br /><br />Dagon's no fool. He orders Lennon to put Claire in the "hole". Lennon also mentions, offhand, that he can't find Jack or Hurley.<br /><br />Dagon tells Sayid to come with him, because "things have changed."<br /><br />They go back into Dagon's office. He wants to know where Jack and Hurley are. Sayid asks "why is Claire here?" <br /><br />Dagon gives no answers, but pulls out an ornate box. He tells Sayid that Locke will not stop until he's destroyed every living thing on this island. He is "evil incarnate".<br /><br />Dagon wants Sayid to kill Locke. He hands him a dagger. <br /><br />Sayid (rightly) wants to know why he would do anything for Dagon, who has tortured him (and also, just a few minutes ago, beaten the stuffing out of him). Dagon reminds Sayid that he said there was good in his soul, and now's the time to prove it.<br /><br />***** Commercial *****<br /><br />Back at Nadia's house, Sayid is walking his niece and nephew across the street. You can tell they like their uncle, and they want him to stay, but he's going to have to go to Toronto in a few days. The kids get on a school bus, and here comes Nadia. She looks distraught.<br /><br />Now Sayid and Nadia are in a hospital, and Dr. Jack Shephard walks on by, but they don't know him (although he gives Sayid a look). Omar has been "mugged" and Sayid decides to go mugger-hunting. Nadia begs him not to.<br /><br />Back in the jungle outside the temple, Sayid bumps into Kate, still casually toting her gun. Kate is back at the temple, having slipped through it's incredibly tight security perimeter. Remember the flares and everyone freaking out a few episodes ago? Now everyone's just kind of lounging around and you can waltz right in the front door if you want.<br /><br />Kate heads over to Miles. He welcomes her back and totally calls it when it comes to what happened with Sawyer. He also lets Kate know that Claire is back, and "still hot". Kate gets wide eyed. "Where is she!"<br /><br />Sayid is still hiking around the jungle, carrying his dagger. He hears a noise. It's Smokey, only now it's Locke. Locke says hello and Sayid immediately stabs him right in the chest.<br /><br />Locke casually pulls out the dagger. "Now why'd you go and do that?" Heh.<br /><br />Never, ever, trust Dagon . . . (or was it because Locke talked first? Dagon said he had to stab him before he talked. . .  naaah, Dagon is just a lying liar).<br /><br />Where's Sawyer, by the way? Wasn't he hanging out with Locke?<br /><br />****** Commercial ******<br /><br />I'm still miffed that this isn't a Sun episode. But that's neither here nor there. Back to Sayid and Locke: Standoff in the jungle. <br /><br />Locke politely hands the knife back to Sayid. <br /><br />"What are you?"<br /><br />"Well Sayid, you seem to have some idea about that considering you stabbed me in the chest without even saying hello"<br /><br />Locke continues: "I feel sorry for you." Locke is, I think, right about this: Dagon sent Sayid out into the jungle believing Locke would kill him.<br /><br />Sayid wonders what Locke wants (and why he hasn't killed him). Locke wants him to deliver a message. And he offers him "anything he wants."<br /><br />"The only thing I ever wanted died in my arms. And I'll never see her again."<br /><br />Big smile, and a whisper: "What if you could?" Smokey's recruiting.<br /><br />Back at Nadia's house, Lock repairs a vase, broken by the boomerang he gave the kids. Nadia walks in, and Sayid apologizes and lets her know that the kids are in bed.<br /><br />Omar is out of surgery. Sayid offers to help, but Nadia tells Sayid that this is Omar's responsibility. She wonders why Sayid pushed her toward his brother.<br /><br />"For the last twelve years I've been trying to wash my hands of all the horrible things I've done. I can't be with you, because I don't deserve you."<br /><br />We cut back to the island, where Dagon stands by the river, waiting for Sayid, who rightly blows him off. Sayid speaks directly to the temple denizens. <br /><br />"Jacob is dead, and because he's gone none of you have to stay here anymore. You're free. The man that I met is leaving the island. You can join him. You have until <strong>sundown</strong> to decide."<br /><br />By the way, they die if they decide to stay.<br /><br />In the temple hallway, Lennon gets smacked against the wall by Kate. <br /><br />"Where is Claire!?" <br /><br />He takes her to Claire, who is in the "hole", singing the "Catch a falling star" song.<br /><br />Kate calls to her. Claire smiles and greets her. <br /><br />"Why did they put you down here?"<br /><br />"They have Aaron. They have my son."<br /><br />Kate corrects her. "They don't have your son. I took him. I raised him."<br /><br />As Kate goes on and on about what a wonderful, beautiful boy Aaron is, Claire totally wants to kill Kate.<br /><br />Kate isn't reading the signals, though, and says she will rescue Claire.<br /><br />Claire smiles "I'm not the one who needs to be rescued, <i>Kate</i>"<br /><br />The temple thugs drag Kate away as Claire shouts "He's coming"<br /><br />****** Commercial ******<br /><br />Sayid strides through the temple while the temple people panic. Lennon is not happy about this. Everyone's pretty much buying Locke's message.<br /><br />Miles asks if they are leaving yet, but Sayid says he has to "return this" as he pulls out the dagger.<br /><br />Flash sideways to LA, Sayid is abducted outside the house by some Iraqi thugs. They take him into some restaurant back room. Someone is standing at the stove making eggs. <br /><br />It's Keamey. He offers to make Sayid some eggs. He really makes good eggs, and seems very proud of himself about that.<br /><br />"Martin Keamey" He introduces himself. Very friendly. Sayid tells him his name and "but you already knew that."<br /><br />Keamey asks "How's your brother doing?" And tut-tuts about how his brother got mugged right in front of his store.<br /><br />Keamey gets to the point. "Your brother borrowed money from me, and like everyone who takes a loan, he has to make payments."<br /><br />"Did you put my brother in the hospital?"<br /><br />"Oh, you think it was me?" No, of course not, Keamey. Why would we think that?<br /><br />"It's a dangerous world, Sayid."<br /><br />Right about then, Sayid violently elbows the guy guarding him and uses him as a human shield while he disarms him. The shield gets shot by the other guard, who then gets shot by Sayid. Sayid then levels his gun at Keamey. Keamey grovels, and promises to forgive the debt. "Just forget about it."<br /><br />"I can't," replies Sayid, and he shoots Keamey dead. So the universe has self-corrected as far as Martin Keamey is concerned.<br /><br />Sayid hears a noise, goes back into a store-room, and finds Jin Kwon, tied up with duct-tape over his mouth.<br /><br />"No English!"<br /><br />****** Commercial ******<br /><br />Dagon ponders that darn baseball by the dirty pool. He's kind of miffed that Sayid didn't kill Locke, although I'm not sure how he knows that (well, obviously, because he knows Sayid <i>can't</i> kill Locke. I think he's just miffed that Sayid is alive)<br /><br />"You let him talk to you?"<br /><br />"I stabbed him in the chest like you told me to, then I let him talk to me."<br /><br />Sayid drops the knife, rather than stabbing Dagon with it which I not so secretly wish he would do. Sayid wants to know why Dagon hasn't just killed him already.<br /><br />Rather than answer the question, Dagon tells a story about being a businessman, getting promoted, and having too much to drink at the promotion party. Every Friday he picked his son up from baseball. His son was twelve, and there was a bad accident. Dagon survived, but his son was in bad shape. In the hospital, a man came to him, a man he had never met, and said he would save his son's life, but Dagon would have to come to the island, get a new job, and never see his boy again.<br /><br />"His name was Jacob."<br /><br />"Jacob drives a hard bargain," observes Sayid.<br /><br />"The man outside, I take it he offered you a similar bargain."<br /><br />"Yes."<br /><br />"It is sundown. Do you choose to stay or go?" asks Dagon.<br /><br />"I'd like to stay," Sayid says, as he pulls Dagon into the pool and starts to drown him. Dagon lets go of the baseball and it floats to the surface as he, evidently, dies.<br /><br />Lennon runs up. "What have you done!?!?! Do you realized what you just did? He was the only thing keeping him out! Idiot! You just let it in!"<br /><br />Sayid's had enough. He kills Lennon with the knife and says "I know."<br /><br />We start hearing those noises we used to hear back in Season 1 - you know, the train sound, the kind of eerie horn sound. Smokey attacks!<br /><br />At this point everything moves really fast and it's hard for me to keep up.<br /><br />Kate and Miles run away as Smokey picks off people. Kate runs to get Claire.<br /><br />Miles tries to hold a door closed, but Ilana, Lepidus, and Ben bust in. Um. Where'd they come from?<br /><br />Meanwhile Claire is in her hole, placidly waiting. She doesn't want to leave the hole and tells Kate that she'll be safer in the hole. Kate jumps in just in time as she gets the full view of the underside of Smokey screeching overhead.<br /><br />By the pool, Ben urges Sayid to leave. "There's still time."<br /><br />Sayid smiles, creepily. "Not for me." Ben looks genuinely horrified and backs away.<br /><br />In the temple's Hieroglyphic Hall Miles off handedly tells Sun (I didn't catch that she was part of this, I was typing too furiously) that Jin was here just yesterday and that he's alive.<br /><br />Ilana reads the hieroglyphics on the temple wall; the same ones Hurley noticed last time. She pushes on a panel and a door opens. <br /><br />"Everybody inside, now."<br /><br />They get in, just as Smokey comes barreling that hallway.<br /><br />Sayid walks out into the courtyard as creepy "Catch a falling star" singing plays in the background. He and Claire both have the same happy-zombie look on their faces. Kate follows, and stoops over to (wisely) poach a rifle from someone who ran into Smokey a few minutes ago and no longer needs it. <br /><br />Sayid and Claire walk off, same placid look on their faces, and they walk out of the temple and meet Locke with his new Other recruits, presumably people who fled the temple before Sundown. Kate follows behind, with a less placid look on her face. <br /><br />Previews: They are making it look like Ben is going to buy the farm next week. "The man who caused so much death will meet his own demise." So, Jack's gonna die?<br /><br />We'll see. Regarding Ben, I'm not buying it.<br /><br />Bad Wobot.<br /><br />]]>
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<title>The Problem of Evil</title>
<description>The question in this post is a bit tougher than the one in my previous post. It also comes from a college [...]</description>
<pubDate>Tue, 02 Mar 2010 01:41:26 +0000</pubDate>
<dc:creator>Bill</dc:creator>
<link>http://thinklings.org/posts/the-problem-of-evil</link>
<guid isPermaLink="true">http://thinklings.org/posts/the-problem-of-evil</guid>
<category><![CDATA[Questions . . .]]></category>
<category><![CDATA[Theology]]></category>
<category><![CDATA[Philosophy]]></category>

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<![CDATA[The question in this post is a bit tougher than the one in my <a href="http://thinklings.org/posts/the-problem-of-prayer">previous post</a>. It also comes from a college student; a friend of my <a href="http://avoidingawkward.com">eldest daughter</a>. I have posted the question below. I'm a bit conflicted because the questioner doesn't even know I've read her question, but I'm assuming/hoping her question is general enough that it's OK for me to post it. I've re-worded it slightly.<br /><br />For context: this College student grew up (as far as i know) in an evangelical church, was involved and even a leader in her youth group, etc. She read Ayn Rand's <i>The Fountainhead</i> in her senior year of High School and this began what, to my understanding, was her journey away from the core of her faith. She is, by the way, <i>extremely</i> intelligent and is attending a prestigious ivy league school in the northeast.<br /><br />Here's here question:<blockquote>So, right now I'm trying to reconcile the goodness of God in relation to the problem of evil, so I had written down some things I thought about this and some other questions. Tell me what you think. <br /><br />Things i don't understand:<br />Original sin, morality, and salvation (in relation to each other)<br /><br />1) Original sin: I think Rand summed this one up nicely. how can I be corrupted before I exist? If that is the case - that I'm born guilty or have "tendencies," then I am not free. If that is determined by outside forces, I am not free. If I am not free, but merely acting under compulsion, how can I just be held responsible for anything I do, good or bad? <br /><br />This leads into the next question, which will lead to the last one:<br /><br />2) Morality: certain moral issues arise when considering the idea of creation. If God is all-knowing, he would know what we would do, whether he determines it or not, through that knowledge he could (should?) select certain people to exist or not exist. In this sense, God would have to be not omniscient (can he be god w/o omniscience?) or evil, not merely by "omission" but by actively creating people he knows will do evil. For instance, inventors of weapons. If the latter, there is no reason to worship him except maybe fear. If the former, why is he God? though, the lack of omniscience could be a product of pure freedom, in which case, I suppose that could work or it could work depending on whether or not the future exists.<br /><br />Mildly unrelated: Why would an all-powerful, all-knowing God want relationships with people? this seems to be some sort of desperately lonely god or people who decided to raise themselves up to be friends of God. The first seems illogical, the second, petty. however, this only deals with God's morality, what of that of the people? In many cases, it would seem to be irrelevant: God picked them to do certain things [leibniz: best possible world] and therefore they deserve no credit or blame.<br /><br />3) Salvation: how can a moral, just, omniscient God create people who will reject his truth? Isn't that the best definition of evil - rejection of truth? Furthermore, how can he punish them if he created them to do just that? it doesn't make sense. How would he pick those who would go with him, those he would call?<br /><br />Possible resolutions:<br />1) Determinism is true and God is evil<br />2) We are free and God is not omniscient<br />3) We are free/physically determined and there is no God<br /><br />So, that's what i was thinking about earlier. if there are other resolutions, do tell, but i haven't been able to think of them.</blockquote>I realize the questions above have been wrestled over for centuries, and that there are no easy answers. But I'm definitely interested in any thoughts you might have. Leave them in the comments thread. Thanks!<br /><br />]]>
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<title>The Problem of Prayer</title>
<description>I was asked the following question by a college student recently: Why should we pray?Here's where he [...]</description>
<pubDate>Tue, 02 Mar 2010 01:27:39 +0000</pubDate>
<dc:creator>Bill</dc:creator>
<link>http://thinklings.org/posts/the-problem-of-prayer</link>
<guid isPermaLink="true">http://thinklings.org/posts/the-problem-of-prayer</guid>
<category><![CDATA[Questions . . .]]></category>
<category><![CDATA[Theology]]></category>

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<![CDATA[I was asked the following question by a college student recently: Why should we pray?<br /><br />Here's where he was coming from: God already knows everything. God gives us what we need. What <i>purpose</i> does prayer have?<br /><br />The quick answer I gave was that God commands us to pray, and that it's an important way for us to know Him more and commune with Him. And last weekend our pastor made the point that God uses our prayers, somehow, as a means to His pre-ordained ends.<br /><br />I'd be interested in your thoughts on this, though. What would you say to a young, intelligent and conflicted College student who asks "Why should I pray?"<br /><br />]]>
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<title>This is for Shrode</title>
<description>Curling rocks! Just ask Hammerfall.[H/T The Corner]</description>
<pubDate>Sun, 28 Feb 2010 22:09:20 +0000</pubDate>
<dc:creator>Bill</dc:creator>
<link>http://thinklings.org/posts/this-is-for-shrode</link>
<guid isPermaLink="true">http://thinklings.org/posts/this-is-for-shrode</guid>
<category><![CDATA[Sports]]></category>

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<![CDATA[Curling rocks! Just ask Hammerfall.<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/dL9mlqbG5CU&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/dL9mlqbG5CU&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br /><br />[H/T <a href="http://corner.nationalreview.com/post/?q=MzU1NDZiZjliYjYwNzVmOTk1ZTVmYmJkMWUxZTg4Mzc=">The Corner</a>]]]>
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<title>Single Socks</title>
<description>At our house, we are running a ministry to single socks.  While doing laundry, we had 16 different mateless [...]</description>
<pubDate>Sun, 28 Feb 2010 11:30:00 +0000</pubDate>
<dc:creator>Philip</dc:creator>
<link>http://thinklings.org/posts/single-socks</link>
<guid isPermaLink="true">http://thinklings.org/posts/single-socks</guid>
<category><![CDATA[Contemplation]]></category>
<category><![CDATA[Just Goofin' Off]]></category>

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<![CDATA[At our house, we are running a ministry to single socks.  While doing laundry, we had 16 different mateless socks laid out.<br /><br />Single people are important and useful to God. "It is good for a man not to marry" (I Cor. 7:1).<br /><br />Single socks? Not so much.  They need mates.]]>
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<title>Bizarre History Of A Church</title>
<description>You can't make this stuff up. First Baptist Church, Fort Worth has a history better than fiction.A [...]</description>
<pubDate>Wed, 24 Feb 2010 17:00:00 +0000</pubDate>
<dc:creator>Philip</dc:creator>
<link>http://thinklings.org/posts/bizarre-history-of-a-church</link>
<guid isPermaLink="true">http://thinklings.org/posts/bizarre-history-of-a-church</guid>
<category><![CDATA[History]]></category>
<category><![CDATA[Just Goofin' Off]]></category>

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<![CDATA[You can't make this stuff up. First Baptist Church, Fort Worth <a href="http://www.tshaonline.org/handbook/online/articles/FF/ibf1.html">has a history better than fiction.</a><br /><br /><blockquote>A new, long chapter in the church's history began when it called as pastor John Franklyn Norris, owner-editor of the Baptist Standard from 1907 to 1909. Norris accepted the pastorate in 1909 and remained at First Baptist for the rest of his life. The church lost at least 600 members in 1911 after a division, and the following year lost its building and pastor's home by fire. Though Norris was indicted for arson, he was acquitted after a month-long trial. During his long tenure, the church's personality became inseparably entwined with that of its pastor. It aligned with the prohibition movement, sponsored an interdenominational Bible school, and became the leader of the World's Christian Fundamentals Conference in 1919. That year the church built a 5,000-seat auditorium, and four years later it helped to form the Baptist Bible Union of America. Because of Norris's continued open criticism of the Southern Baptist Convention, his decision to discard SBC literature, his attacks on SBC schools (particularly Baylor University, which he charged with teaching "evolution and infidelity"), and his spirit of noncooperation, the Tarrant County Baptist Association withdrew fellowship from the church in 1922. The Baptist General Convention of Texas refused Norris a seat at the state convention in 1923 and permanently excluded him in 1924.<br /><br />On July 18, 1926, Norris shot and killed a Fort Worth lumberman, Dexter Elliot Chipps, in the church office. He was charged with murder but was acquitted on a ruling of self-defense at his trial in Austin. Two years later the church and parsonage were burned again. By 1931 the church reported 12,000 members, with 6,000 attending Sunday school, and property valued at $1.5 million. Throughout the next two decades Norris and the First Baptist Church stood solidly against Modernism, Communism, liberalism, evolution, ecclesiasticism, and organized crime. The growing congregation gained notoriety for extreme independence, a controversial and pugilistic attitude, and a flare for sensationalism.<br /><br />Discord and internal rivalry surfaced in 1945, when Norris's son George became pastor of a dissenting party that split from the First Baptist Church. Norris's health began to fail in 1948, and the Premillennium Fellowship fractured in May 1950, the same month Norris was dismissed by the church in Detroit.<br /><br />Norris died on August 20, 1952, and the First Baptist Church called Homer Ritchie as pastor four days later. Ritchie served in that capacity until October 11, 1981, much of that time with his twin brother Omer serving as his co-pastor. </blockquote><br /><br />Did you get all that?<br />The pastor was acquitted of arson! Later he shot and killed a man in his church office. He was acquitted of murder on the grounds that it was self-defense. And two years later the church and parsonage burned again.<br /><br />And here's my favorite part. Four days after he died, Homer Ritchie became pastor. Over the next 30 years, Homer and his brother Omer co-pastored the church. Homer and Omer. Man, even the Coen brothers couldn't make up stuff this good. <br /><br />Of course the history on <a href="http://www.fbcfw.org/AboutUs.aspx">the church's official website</a> doesn't mention any of that stuff. I guess I don't blame them. <img src="http://thinklings.org/extensions/smilies/gatorsmile.jpg" alt=":gsmile:" /><br /><br />]]>
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<title>&lt;i&gt;Lost&lt;/i&gt;: Lighthouse</title>
<description>I'll be taking the live-blog duties tonight. I'm already on pins and needles. Will DreadLocke kill Richard? [...]</description>
<pubDate>Wed, 24 Feb 2010 01:53:50 +0000</pubDate>
<dc:creator>Bill</dc:creator>
<link>http://thinklings.org/posts/lost-lighthouse</link>
<guid isPermaLink="true">http://thinklings.org/posts/lost-lighthouse</guid>
<category><![CDATA[TV]]></category>
<category><![CDATA[Lost]]></category>

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<![CDATA[I'll be taking the live-blog duties tonight. I'm already on pins and needles. Will DreadLocke kill Richard? Is he allowed to? Who's the blond kid with all the rules? How will Sawyer get back up the cliff? Is my name written on Jacob's graffiti ceiling? Doggone it, will Dana finally kill Kevin and spare us any more of that awful subplot!?!? (Oh, wait. Wrong show).<br /><br />Major spoilers below the fold . . .<br /><!--more--><br />Previously on Lost: flight 815 lands without Christian Shephard's casket. Sayid is drowned and resurrected. Dagon pushes poison pills to Jack for Sayid, to cure the darkness growing in him. "It happened to your sister". <br /><br />Shot of CrazyClaire.<br /><br />Show starts. Jack gets home and does the look in the mirror thing that all the Lost characters have been doing this season. He tries to remember how he got that bad scar on his abdomen. <br /><br />His mom calls - still no casket. Jack says that they think the coffin is in Berlin. Also, his mom can't find Christian's will.<br /><br />The scar is an appendix scar, she reminds him. Jack's having trouble remembering, and then rudely hangs up on his mom. Seriously, she was in mid sentence. Jack seems kind of stressed out.<br /><br />He is in a car and pulls up to . . . a school. To pick up his son David. Yes, that's right, his <i>teenage son</i> David.<br /><br />Flash sideways to the island. Jack is looking in the island equivalent of a mirror; a lake outside the temple. Dagon walks up and they start to chat. Dagon is concerned that Kate, Jin and Sawyer are not coming back. Jack lets him know that his concerns are valid. I'm concerned about why we're not seeing the John Lennon translator anymore. If Dagon's going to start talking English to everyone that dude's out of a job.<br /><br />Meanwhile, Hurley and Miles play tic-tac-toe on a giant bamboo board. Tied again. "Hungry?", "Are you?", "I could eat" Heh. Hugo asks a guy squatting by the dirty pool of healing for directions to the kitchen. The dude is Jacob, who tells Hurley to get a pen. <br /><br />"Someone's coming to the island. I need you to help them find it."<br /><br />LOST LOGO WITH EERIE MUSIC . . .<br /><br />**** Commercial ****<br /><br />Back home. David (who goes to a private school, incidentally) is home. Jack walks him up to his room and he immediately starts to study, so that's weird (he's a teenager after all). He's also reading Alice in Wonderland.<br /><br />By the way, Jack he no likee. He walks out of the room.<br /><br />Jack follows him to the kitchen and tries to strike up a conversation, but David is not interested in conversation or, evidently, a relationship of any kind. <br /><br />Jack's mom calls so he heads over to her house<br /><br />Where did this kid come from again? The alternate reality is more different than we thought.<br /><br />FS, back to the temple. Sayid walks around, looking battle-ready in his black tank top. Everyone's staring at him. Sayid knows that everyone knows he has an infection, and exposits a bit to Jack about what's been going on to catch us all up. Jack lets him know that the pill was poison and also says the infection has happened to someone else. Sayid asks who, and. instead of an answer, he gets a dark look from Jack and a scene cut to Jin's bloody leg stuck in a bear trap.<br /><br />Claire frees him. She looks terrible but otherwise seems rational, if not cheerful. His leg looks terrible too and Jin faints from the pain.<br /><br />Back to the temple, Hurley evidently couldn't find any paper and has written on his arm. Hard-core Lost fans everywhere will be looking closely at that screencap. Hugo's in a temple corridor looking at symbols on the wall.<br /><br />Dagon finds him and orders him out, but Hurley's shoulder-angel named Jacob appears and tells Hurley what to say.<br /><br />"I'm a candidate, I can do what I want". Tell him Hurley! Dagon has to leave, cursing Hurley in NotEnglish all the way out.<br /><br />Jacob tells Hurley that he has to get Jack to go with him on an adventure. Hurley's still freaking out over standing up to the "Samurai dude", but gets Jacob's instructs well enough and walks over to where Jack is just sitting idly and sidemouths to him that he is to wait ten seconds and then follow him. Jack thinks Hurley is off his darn nut and tells him that he's not going anywhere. Hurley then pulls Jack's strings, per Jacob's advice, by telling Jack he "has what it takes". For some reason, that <i>totally</i> works, because now Jack is all in.<br /><br />**** Commercial ****<br /><br />Jin wakes up. He's still in a lot of pain, lying on an old dirty mattress in the Claire Lair. And, holy cow, she's got dynamite. <br /><br />She also has a cradle with the creepy skeleton of some dead animal lovingly laid in it. Jin gawks at that, but just then Claire shows up with the Good Cop Temple Other from last week's show, who she ties up. Claire still seems pretty rational, and tells Jin, when he asks her if she's been alone all this time, that, no, she's not been by herself all this time. Crazy grin, and maybe the volume on that rationality I was catching there just got turned down a notch.<br /><br />Good cop is really scared of Claire.<br /><br />Cut over to Hurley and Jack, who have cleverly (and evidently effortlessly) slipped through the impregnable Temple outer-defenses and are walking along a jungle path. They come upon Kate who comes <i>this close</i> to shooting Jack. She and Jack share a laugh over that.<br /><br />Kate insists that she's not going back to the temple. She's going to find Claire. Jack tells Kate that Claire's not at the beach (wait, was he at the beach at some point?) and that "something happened to her". Jack tells Kate to come back to the temple but Hurley sidemouths to Jack that Jacob said only Hurley and Jack could go back. Kate's fine with that and walks off.<br /><br />I'm fine with that too. No more Kate this episode please.<br /><br />FS to Alter-LA. Jack and his whiskey swilling mom are searching through files looking for the will. Between drinks, she tells him it's good that he's not drinking, so I'm guessing he's had some problems with the drinky-drinky even in this alternate universe. At least some things are constant.<br /><br />"How's David holding up?" she asks. Evidently he was really upset at the funeral, which Jack seems surprised about. His mom reminisces about Jack's relationship with his dad back when Jack was David's age. Jack admits he was terrified of his dad back in those days.<br /><br />Jack's mom finds the will and opens it. <br /><br />"Jack?"<br /><br />"Yeah"<br /><br />"Did your father ever mention a Claire Littleton?"<br /><br />FS to the Claire Lair. Claire is sharpening an ax. For obvious reasons, the Other is trying to get Jin to loosen his ropes, so he can snap Claire's neck. Jin isn't so ready to let a perfect stranger murder his good, if deranged, friend.<br /><br />She pours something painful on Jin's leg and expertly stitches him up. She also mentions that she's going to question (torture) the Other to find out where Aaron is.<br /><br />She mentions that "her friend" told her that the Others have Aaron. He asks who her friend is, but she evades the question by asking him if he's still her friend. Crazy smile. <br /><br />Then she creepily stands in front of the Other, holding the ax loosely. <br /><br />"So, now it's your turn"<br /><br />**** Commercial ****<br /><br />Hurley and Jack walk through the jungle. Hurley apologizes for "wrecking [Jack's] game with Kate.". Jack rightfully points out that there was nothing to wreck. So Kate's now been publicly rejected by the other two points of the Jateyer triangle. Give thanks.<br /><br />Jack finds Shannon's old asthma inhaler, and they realize that they are at the Caves. He and Hurley find the Adam and Eve skeletons.<br /><br />Hurley wonders if they time-travelled back to "dinosaur times", and died and got buried here. "What if these skeletons are us?" A shout-out to the speculators . . .<br /><br />Jack tells Hurley that he found this place because he was chasing the ghost of his dead father.<br /><br />FS to La-la LA. Jack brings home a pizza for David, but David appears to have left home. All his stuff's gone (or very, very neatly put away). Later that night, Jack continues to try and call David. "If I did something to upset you I'm really, really sorry." Jack means it. He drives over to David's mom's house and rings the doorbell. No answer. So he gets a key from under a stone lawn doohicky and opens the door. He searches around the house but no David. Jack goes up to David's room and looks at David's music (classical), an old photo-booth picture of them both, and listens to David's phone messages. David has been accepted to a conservatory. The next message is Jack calling from Sydney. Jack gets teary-eyed.<br /><br />FS to Jack and Hurley in the jungle. "This is cool, dude. Very old school. You know, you and me, trekkin' through the jungle on our way to do something we don't understand. Good times." Heh.<br /><br />Hurley asks Jack why he came back. Instead of answering (this is Lost, after all), Jack asks him why he came back. Hurley tells him about Jacob jumping into his cab. <br /><br />"I came back here because I was broken, and I was stupid enough to think this place could fix me," Jack answers.<br /><br />"Dude, I'm real sorry"<br /><br />They arrive at this brick lighthouse that I've never seen before. <br /><br />"How is that that we've never seen it before?"<br /><br />"Guess we weren't looking for it."<br /><br />Really? I would imagine you'd be able to see that thing from many points on the island. Oh well.<br /><br />Back to Claire. She is interrogating the Other and is about ready to chop him up. The Other keeps denying that they have Aaron.<br /><br />Jin is very alarmed, and finally yells out "Kate took him! Kate took Aaron when she left the island!"<br /><br />Claire stares at him in disbelief.<br /><br />The Other tells her to untie him and he'll leave, and will never come back, as Claire starts to cry.<br /><br />Oh, then she kills the Other with the ax.<br /><br />**** Commercial ****<br /><br />Hurley and Jack walk up to the lighthouse. Seriously, how <i>did</i> they miss this thing?<br /><br />Hurley thinks Jacob is in here, and that they have to go upstairs and turn the lighthouse on. The door's locked but Jack kicks it in, sending a tingle up Jared's leg.<br /><br />FS: Alternate LA - Jack's at a piano recital, and comes to find out that David is freakin' incredible at the piano. <br /><br />Some kid asks Jack if that's his son. The kid is oriental looking. Wouldn't you know, Dagon is his dad.<br /><br />"they are too young to have this kind of pressure, aren't they?" Dagon says to Jack. They talk for awhile about how good David is, and Jack admits that he doesn't know how long David has been playing.<br /><br />FS to the lighthouse. Hurley and Jack have made it to the top. The lighthouse has a mirror assembly - this is an analog lighthouse, after all.<br /><br />"Where's Jacob?" asks Jack.<br /><br />"Ah he's not here yet," replies Hurley. "Let's get started. Tell me when it gets to <strike>1.21 Gigawatts</strike> 108 degrees"<br /><br />Jack looks at himself in the multi-faceted mirror assembly as it rotates to 108 degrees. Jack makes Hurley stop, because he sees something in the mirror. Then Jack sees that there are names etched along the degree arc on the outside of this assembly. Shephard is at 23 degrees, so Jack makes Hurley turn it there, as Hurely protests. When he turns it there, Jack can see the house where he grew up in the mirror. He realizes that all this time, all their lives, Jacob has been watching them.<br /><br />Jack wants to know why Jacob has been watching them. Jack is getting all crazy-eyed now. He starts yelling at Hurley, which kinda makes me mad.<br /><br />Then Jack smashes all the mirrors. Man! Jack!!!<br /><br />(Sitting near me on the couch, my 12 year old says under his breath: "<i>Idiot</i>.").<br /><br />**** Commercial ****<br /><br />FS to outside the conservatory. David walks over to his bike. Jack stalks up to him to tell him that he was great. <br /><br />"You saw me? . . . I missed a couple of notes."<br /><br />Jack tells him it sounded perfect, and scolds him for scaring him. And he admits that he didn't know David still played.<br /><br />David had made his mom not tell Jack that he was still playing. He didn't want Jack to see him fail.<br /><br />"When I was your age my father didn't want to see me fail, and he said I didn't have what it takes. I don't ever want you to feel that way. I will always love you, no matter what you do. In my eyes you can never fail. I just want to be a part of your life."<br /><br />David says "Ok". So they smile and head back to the house to eat pizza.<br /><br />FS back to the island. Jack is sitting on a cliff looking out at the ocean. Jacob shows up and Hurley's pretty miffed.<br /><br />"You have ink on your forehead," Jacob notes.<br /><br />"Jack broke your lighthouse dude! Mission UNaccomplished!"<br /><br />Jacob doesn't seem to care. It turns out he was just tricking Hurley (because he's evil, as I've noted before), so that Jack could see how important he is. And Jack has to find that out for himself. <br /><br />As a side note, one thing I love about Hurley is he's never sitting around mealy-mouthing about whether he's important or not. <br /><br />Jacob makes excuses for lying to Hugo. He had to get them away from the temple because someone is coming there. Someone bad. It's a mystery, though. I can't quite Locke onto who Jacob is talking about. I'm thinking through all the people it might be, but I keep hitting a BLocke. And, looking at the CLocke, I see I have to keep live-blogging here, so I guess we won't know who that bad someone is until next week or the week after.<br /><br />Back in the ClaireLair, the Other is still dead (even though Claire only buried that ax about 3 inches into his abdomen and he should still be alive, albeit screaming in pain). Jin is nervous, and can you blame him? Claire asks him why he said Kate was raising Aaron. <br /><br />Jin tells Claire that he was lying, and tells Claire that Aaron is at the temple, and that the Others have her baby. This seems like a strange strategy to me. Jin, I wouldn't mess with this poor woman's crazy mind if I were you.<br /><br />Plus, why are you LYING! Claire seems relieved, though, because if Kate was <i>really</i> raising Aaron, she'd <i>totally</i> kill her.<br /><br />It's at this point that John Locke shows up. Jin points this out to Claire.<br /><br />"That's not John. This is my friend."<br /><br />Crazy music, crazy smile from Claire<br /><br />Next week - Questions WILL be answered!<br /><br />I just want a good episode. I'm not sure what I think of this one.<br /><br />To be fair, though, at least we've found out how Jacob knows everything about everyone.<br /><br />It's the mirrors. <br /><br />Bad Wobot.<br /><br />]]>
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